What happens when an obsessive, sociopathic Instagram stalker graduates from the digital world and becomes a real-life stalker? Ingrid Goes West brings to life a world that communicates using hashtags, emojis and selfie captions, a world where privacy is lost and the number of followers one has on the social media is a status symbol,Continue reading “‘Ingrid Goes West’ is #WorthYourTime”
Tag Archives: Film Analysis
‘Dil Dhadakne Do’ features cleverly designed costumes that merge with the color palette of its backdrops
I would like to live in a world where everyone has something good to say about ‘Dil Dhadakne Do’. The film boasts of a perfectly curated cast; showcases some amazing scenic shots of vacation-worthy places; unwraps the pretty wrapping paper off a boxed affluent family which is very different from what most Indians have knownContinue reading “‘Dil Dhadakne Do’ features cleverly designed costumes that merge with the color palette of its backdrops”
Films that use music as an integral part of the narrative: The case of Padmaavat
Do films need music as an ‘essential film element’, and if so, what kind of films are these? Some have been unable to find any absolute reason that can justify the use of music in a ‘visual medium’ like film, while others believe that whether someone would consider music to be an essential film elementContinue reading “Films that use music as an integral part of the narrative: The case of Padmaavat”
Revisiting Ju Dou (1990) and its allegory for China
In this blog post, I revisit the Academy Award-nominated 1990 Chinese film Ju Dou (Directors: Zhang Yimou and Yang Fengliang), reigniting the discussion around the much-explored national allegory that this film provides for the China of the past, present and future. Ju Dou is a film about gender roles and generational conflict, but these themesContinue reading “Revisiting Ju Dou (1990) and its allegory for China”
The Genius That Was Hrishikesh Mukherjee
I watched Hrishikesh Mukherjee’s Chupke Chupke (1975) for the 33rd time today. For the uninitiated, the movie is about a professor of Botany (Parimal Tripathi, played flawlessly by Dharmendra) who falls in love with Sulekha (brought to life on screen by the epic Sharmila Tagore). After certain plot twists, Parimal, now married to Sulekha, decidesContinue reading “The Genius That Was Hrishikesh Mukherjee”
The Roaring Kotzilla 