How Villains Are Depicted Differently in Male- vs. Female-Authored Gothic Novels of the Eighteenth Century (Part 3 of 3)

Here comes the last section of this three-part series on gendered Gothic villains. If you haven’t yet read the first two parts, scroll down below and give them a read. Note: If you haven’t yet read The Castle of Otranto or A Sicilian Romance, they are both short reads and available freely online. Horace Walpole’sContinue reading “How Villains Are Depicted Differently in Male- vs. Female-Authored Gothic Novels of the Eighteenth Century (Part 3 of 3)”

How Villains Are Depicted Differently in Male- vs. Female-Authored Gothic Novels of the Eighteenth Century (Part 2 of 3)

(If you haven’t already, click here to read part 1 of this series of blogs on gendered Gothic villains) Ann Radcliffe’s A Sicilian Romance A (very) brief introduction to Ann Radcliffe Ann Radcliffe (1764 – 1823) was arguably the most popular novelist in eighteenth-century England. She is widely considered to be the originator of theContinue reading “How Villains Are Depicted Differently in Male- vs. Female-Authored Gothic Novels of the Eighteenth Century (Part 2 of 3)”

How Villains Are Depicted Differently in Male- vs. Female-Authored Gothic Novels of the Eighteenth Century (Part 1 of 3)

Scholar Donna Heiland writes in her book Gothic and Gender: An Introduction that “Gothic novels are all about patriarchies, about how they function, what threatens them, what keeps them going” (p.10). Heiland further notes that while patriarchy is the prime focus of Gothic novels, it is also a Gothic machination in itself: “Patriarchy inevitably celebratesContinue reading “How Villains Are Depicted Differently in Male- vs. Female-Authored Gothic Novels of the Eighteenth Century (Part 1 of 3)”